Yes, still alive, still writing

Over on Facebook, Laird Barron linked to my website as an example of a good author website. Whoops! And of course, now I have people very carefully inquiring as to whether or not I’m still alive because I haven’t updated this place since May. The answer is: of course, as always, I’m only dead in my heart. But my writing is still alive! Summers are just very rough for me – I don’t like doing much of anything, except drinking beer and giving the AC the stink eye. I think we’ve all been there.

Anyway, I have a number of things coming out next year, so I’ve been steadily hacking away at the project list. The two biggest things are the new collection; and on September 1, I handed in the manuscript to Ross Lockhart of Word Horde Press. The publication date is still February 2016 – I’ll post cover art as soon as I have it, and I’m hoping for galleys so I can do a give-away on Goodreads. The other big project is a 26,000 word novella titled “The One That Comes Before”, set in the same world as “Her Deepness”, which will be published in the anthology The Daughters of Inanna. That’s coming out sometime later this year or early next year from Brian Keene’s Maelstrom imprint at Thunderstorm Books. More details are right here. I’m very excited to be in this anthology, and can’t thank Brian enough for giving me the opportunity to hopefully gain some new readers – or new enemies! Either way, it’s good.

And now, it’s 12:25am, so I need to do what I always do in my slightly overheated, ant-filled apartment at this ungodly hour: sit on my couch in my underwear watching terrible seventies movies on the local stations while drinking a very wee bit of whiskey on the rocks and working on a new unspeakably filthy short story for my dark erotica project over at Patreon. Anyone who tells you the writing life isn’t full of glamor and beauty and unicorns is completely full of shit.




Podcast infamy

“Tonight at 7pm ET, on The Horror Show with Brian Keene – Brian and Dave Thomas visit the home of Stoker Award-nominated author and editor Damien Angelica Walters, and talk to her about her books and short fiction, the challenges of making a living as a freelance editor, her unique childhood crush, and her mantra of WWLLD (What Would Livia Llewellyn Do?).”

This should be interesting…





ToC for The Monstrous

A while back, Ellen Datlow took my novelette “The Last, Clean, Bright Summer” (originally published in Primeval: A Journal of the Uncanny #2) for her anthology The Monstrous, which is coming out this October. The full Table of Contents was just posted” over on Tachyon’s website. Also, as you can see, my name is on the cover – which is always thrilling, because usually I’m of of the “and others”. Then again, if my name hadn’t been on the cover, I would have told everyone I posed for the artwork. Really, that’s exactly how I look in the morning, before coffee. And, after.

The Monstrous Final Cover



New collection coming out next year

So, I’ll be publishing my second short fiction collection, titled Furnace. It will be coming out in February 2016 from Word Horde, who have been publishing some really incredible books, like the Laird Barron tribute anthology The Children of Old Leech, and Molly Tanzer’s critically-acclaimed novel Vermilion. The ToC isn’t completely finalized, but only because two (possibly three) of the stories will be original to the collection, and I’m still working on them. I’ll post more info -full ToC, cover, blurbs, etc. – as I get it.

I’m very pleased to be a new member of the Horde!

Word Horde




Busy as a caffeinated sloth that is not a bee

Lack of posts doesn’t mean lack of work, in my case. I won’t have any original fiction coming out this year, which is the first time since I’ve started writing, back in 2005. But! I have a number of reprints coming out – I’ve updated my short fiction page accordingly. And! I’m working on a very large number of projects, none which I can tell you about at the moment (sorry). However, I’ll have an announcement about one of them on Monday morning, so check back then, assuming anyone is still reading this blog. I can’t blame you if you’re not – I’m a terrible updater. To be fair to myself, I had no freaking clue how much reading I’d be doing for the Shirley Jackson Awards, and how much of my spare time it would eat up. I mean, I was duly warned, and I certainly don’t regret a second of it, but I had nooooooo idea.

Also! I’ve started a Patreon account. I know, I know – everyone’s doing it, no one has money to support all these writers and their stupid projects, get a real fucking job, blah blah. In my defense, I’m doing something a bit different: I’m writing hard-core dark erotica and erotic horror. I do so love writing the ultra-naughty stuff, but it doesn’t really sell well in traditional horror and dark fiction markets, so I thought Patreon would be the best place to display my wares, so to speak. I’m posting a combination of mostly new stories with a few of my older, previously printed “classics”. So, if you want to get your slightly Lovecraftian/Lynchian/Gigerian freak on for a minimum of $1 a month, there you go.





Fever Dream

Last night, my flu and NyQuil-induced fever-dream:

I was living in the apartment I live in now, but it was somewhat more labyrinthine, with strange arrangements of rooms, all mean and dirty and run-down. You could see the layers of dust and dirt and worn-down wood, all of the original fixtures from when the building was new, back in 1850. The kitchen was bigger, though, filled with long counters and strange cupboards and intricate contraptions. I didn’t go into the kitchen much – there was something overwhelming about it, there were too many things, too much space. I felt as though if I spent time in there, too much time, I’d have to admit that the apartment was truly my home, and that this was my life and I would never do better than this, that this apartment and this life was where I would live and die. The kitchen looked out over a rooftop of tar and giant rotating air conditioners, and at the edges of the building, you could look out over all of Jersey City and right into glittering Manhattan, as if the cities were now one single living entity of brick and mortar, with the Hudson River long driven down below the streets. It was a constant, long late afternoon, with a giant golden sun casting light and shadows everywhere. I never went to work. I simply stayed in the apartment, moving back and forth between the musty living room and the ugly bedroom. I think it had been this way for centuries.

I don’t know why, but at some point in that endless afternoon and my endless routine of doing nothing, I crept into the kitchen. I think I heard something, I don’t know. I felt that something had changed. The kitchen counter ran the length of one part of the rooftop of the building, and the blinds were down, but I could see movement behind them. I noticed that in the right corner of the kitchen, just beyond the refrigerator, there was a slim door I hadn’t seen before, maybe only about eighteen inches in width. I cracked it open, and was shocked to find a pantry I didn’t know existed. All kinds of incredible foods and provisions were stacked on the shelves, from floor to ceiling, and everything as fresh as if it had been put there that day. On the other side of the tiny room, there was a slender window, maybe as large as a hardcover book. It was open. I squeezed my way into the room, and stuck my face out of the window.

Thousands of people were pouring onto the roof, coming up from the fire escape stairs, and across make-shift bridges from the other buildings next to us and across the street. They were people of all colors, all ages, all genders, wearing the most spectacular clothing I’d ever seen – every century represented, every fad and fashion, ever fantasy and whim. But they weren’t costumes – I could tell that this was their everyday, ordinary dress, as casual to them as my grey pajamas were to me. All across the roof, they were setting up tables, lighting fire pits, and laying out massive amounts of food. I heard noise behind me, from the kitchen, and I squeezed my way out of the pantry. All across the long kitchen counter, people had opened the windows and raised the blinds, and were laying out hundreds of bowls of food, chopping, slicing, mixing, reaching across the window sills to turn on the faucets and the stove burners. I thought about pushing them away, but everyone was laughing and smiling. There was music, singing, dance. I stood in the kitchen, and I watched them take over the counters and contraptions I had never used, and I felt such rage and shame and uselessness wash over me. I stepped back into the living room, grabbed my cell phone, and called my landlord.

There are people on the roof, thousands of them, I said. They’re using my kitchen, and having some kind of party. You need to get rid of them right now.

They’re supposed to be there, the landlord said. That’s where they’re supposed to be.

Great. Just fucking great. And exactly how big is this party? I asked. This is an old building, there’s too many already, and if the roof collapses —

Two hundred and fifty thousand.

Are you serious?

Yes. That’s how many people will be on your roof. That’s the size of the party. That’s how big it’s supposed to be.

Two hundred and fifty thousand?


Are you fucking insane? Do you know how old this building is? There’s not enough room, it can’t support the weight! And how am I supposed to live with all these people?!

The building will hold up, it always does. They’re there every year, you just didn’t notice them until now.

How the FUCK could I not notice them? I shouted into the phone. What am I going to do? How am I going to live? I can’t live with all of these people!

Well, can’t you just go to the other part of your apartment?

What are you talking about?

Just use the other side. You know where it is.

And he hung up.

Bright sunlight was pouring in from the kitchen windows. So many people laughing and singing and dancing, and the food – spectacular displays taking shape all across my unused counters, and all across the rooftop. And yet none of them were inside my kitchen. They leaned over the sills, grabbing whatever they needed, but I was still the only person inside my apartment. All that unused space was still mine.

I walked through the small hallway into my bedroom. A single unmade bed, crammed against an undecorated wall, piles of clothes on the chair, a window that I’d never bothered to open the curtains to, a ceiling light whose bulb had burned out years ago. But on the left side of the room, next to the bed: a door. One I’d never seen before. I walked over and opened it.

Beyond the door was a terrace, lined with terra cotta brick, and hundreds of tall palm trees and plants. The air was warm and humid, and brightly colored birds dripped from branches, darting and singing. I walked out onto the terrace, and turned around the corner to the right. The terrace extended past my kitchen windows into the wide expanse of the tar rooftop: from where I stood, I could see the hundreds of thousands of people gathered, but couldn’t hear them. From where I stood, all I could hear was bird song, the trickling of water, the rustle of leaves. Someone in the party looked up at me, smiled, and then walked away. I turned around, away from the party, and walked past the wall of plants into a secret palazzo. In its center was a small square of a pool, aqua waters rippling from the to-and-fro passage of koi, surrounded by a walkway embedded with intricate murals of serpents, griffins, and other ancient creatures. At the back of the palazzo, sliding glass doors revealed a study: one massive wooden table piled with writing tablets and pens, and two sumptuous leather chairs. The three walls of the study were covered in shelves, all crammed tight with the most beautiful and rare books I’d ever seen or desired. Small glass globes of light hovered just above the ceiling, filled with soft yellow lightning. I turned back to the pool. Beyond the edges of the palazzo, Manhattan spread out under the infinite afternoon sun, a lush and wild and abandoned Manhattan, filled with gigantic trees and smoking volcanoes, and the lush, peaceful sound of wind and bamboo chimes and empty spaces. I stood there, with the secret study behind me, a secret Manhattan before me, my lifeless apartment to my right, and the glint and glimmer of two hundred and fifty thousand new roommates dancing and feasting just beyond its quiet edges. I dialed my landlord.

What is this place?

It’s your apartment.

I don’t understand. This is mine?

Yes. You’ve been paying rent on it for six years. It’s in your contract, it’s always been yours.

But — I don’t understand how I could live here for so long without knowing it was here?

Like I said: you just didn’t notice until now.

I began to cry.

I wasted so much time, I said. I was so miserable here, and I could have been happy. All these years, I could have had everything I wanted. Why didn’t I notice before?

That’s not important anymore, he said. The important thing is, now you know.


A Fever Dream
And that, my friends, was 2014. And, what will be 2015.






New story in Primeval Journal

Primeval JournalCongratulations! You can now buy a copy of Volume 2 of Primeval – A Journal of Uncanny, in which you will find my story “The Last, Clean, Bright Summer”. It’s a cheerful tale about a young woman who comes of age in a lazy oceanside town during the annual family reunion – wacky adventures [::INSERT ABSOLUTELY MASSIVE SEXUAL VIOLENCE TRIGGER WARNING RIGHT HERE::] and hilarious hijinks ensue.












Shirley Jackson Awards

I’ve long been a fan of the Shirley Jackson Awards, not so much because I’ve been nominated, but because for me the nominations have become my “must read” list for the year. (I suspect many readers of dark fiction feel the same.) So, I’m thrilled to be a juror for the 2014 awards, along with Andy Duncan, Nancy Holder, Simon Kurt Unsworth, and Kaaron Warren. Full bios of everyone are at this page, along with the current Advisory Board members and Board of Directors.

Of course, I’ve already got a big stack of things to read, which is making me even slower in finishing stories (don’t even ask about the novel) – but that just the story of my life. It’s cold outside and the ants are hibernating, so all is good with the world, more or less.






My Women Destroy Horror! story is now online

Illustration by Reiko Murakami“It Feels Better Biting Down” is online at Nightmare Magazine. Feel free to not leave any comments, because I really don’t know how anyone is going to react to that story and sometimes it’s just better for me to remain blissfully in the dark. Yeah. And, I’m also part of an Author Spotlight – the link is on the same page as the story.

Edited to add: evidently there’s a podcast of the magazine, including a reading of my story by actress Susan Hanfield. There are links on this page to the rss feed or the iTunes subscription page.

FYI, the illustration is by Reiko Murakami who has an Artist Showcase, also at Nightmare Magazine. Please click to embiggen – it’s quite amazing.








Release Day

Two anthologies are out today that I have stories in.

Nightmare CarnivalFirst up is Nightmare Carnival (edited by Ellen Datlow), which has my short story “The Mysteries” in it. I’ve trained myself not to offer up my opinions on other writer’s fiction (mainly for reasons of readers occasionally reacting with the typical internet “I’m going to do X to you because you haz opinion I hate” folderol), but Nathan Ballingrud’s “Skullpocket” is my favorite of the bunch. It’s both horrifying and sorrowful, two emotions that Nathan melds (as usual) to perfection in this story. Nightmare Carnival is available at Amazon and Dark Horse (the publisher); and there’s an excellent interview with Ellen Datlow about her editing process for the anthology over at Adventures in Poor Taste.



Years Best Weird Fiction V1Next up is Years Best Weird Fiction Volume 1 (edited by Laird Barron), which has my story “Furnace” in it. You can buy it at Amazon and Chizine (distributor for the publisher, Undertow Books); and over on the Weird Fiction Review website, you can read an interview with Laird and Michael Kelly, who’s the editor for the Years Best Weird series for Undertow.

And that’s it for Tuesday. Now it’s back to writing fiction for which I have blown yet ANOTHER deadline. At least I’m consistent, right? Yep.